This piece serves as the central work of Scarred Sisters. It presents a figure defined
through negative space and highlighted with color shifting pigments, emphasizing
both absence and presence as active components of identity. The figure is framed in
a victory pose, signaling resilience and triumph rather than defeat, and is surrounded
by flowers that originate in Africa and have successfully flourished in America,
including gladiolus, calla lilies, and African violets. These botanical elements
symbolize survival, migration, and continued growth across time and geography.
A painted lady butterfly, representing migration and transformation, rests on the
figure’s fingers, reinforcing themes of endurance and adaptation. While the figure
bears visible scars, they are not presented as markers of vulnerability or defeat.
Instead, the figure does not wear her vulnerability outwardly but stands in command
of her own narrative, actively overcoming and resisting the restraints imposed upon
her. This work ultimately asserts that the Black community is not confined to the
limitations of reality as it has been defined by history, but is capable of reshaping,
transcending, and reclaiming it.
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